In lieu of an abstract, here is a brief excerpt of the content:Now What?Enrique Martínez CelayaThese were the invaluable assets that the people of Milwaukee entrusted to me. And they offered me something else as well, which is absolutely crucial for any architect. In the trustees of the Milwaukee Art Museum, I had clients who truly wanted from me the best architecture that I could do. Their ambition was to create something exceptional for their community. [End Page 17]I (...) hope that when the new Milwaukee Art Museum opens and people see its fully realized form, that they will feel we have designed not a building, but a piece of the city.—Santiago CalatravaPoverty in Wisconsin increased faster than in any other state in 2003 and 2004, the U.S. Census Bureau reported Tuesday, and Milwaukee climbed last year into the top 10 of the nation's poorest cities, reaching seventh.In Milwaukee, more than 62,000 of those living in poverty were children—41.3% of all the children in the city. That poverty rate for children ranks the city fourth in the nation, tied with Miami.—Milwaukee Journal Sentinel, August 30, 2005It is not surprising that a society ambiguous about religious and war monuments would prefer the museum as a symbol of vitality, enlightenment, and reinvention. What is not as apparent is why cities—even relatively poor cities—are eager to secure the funds to pay for the famous architect and the construction of not just any museum but grand temples to culture.The sacrifice might have something to do with elusiveness. Most modern museums would like to become incarnations of a city's greatness, but this greatness is hard to hold or to articulate beyond slogans and shopping districts: it is fleeting, untrustworthy, and rarely sensed by any but a lucky few. The trustees of museums and others in charge of the capital campaign do not respond to that uncertainty with humility but with its opposite: the modern museum aims to be undeniable, doubtless. The hope appears to be that, once built, the museum will show how the city overcame itself to be magnificent and, hopefully, magnanimous—the best aspect of the city preserved, Dorian Gray–like, by the semipermanence of architecture, crystallized dreams transcending social and economic problems.These museums seem, in scale and sacrifice, almost pyramidal. But they have less clarity of purpose and consciousness of the frailty of greatness than those earlier resurrection machines. And maybe for these reasons, there is something at odds, something anticlimatic, about the finished building, which for many people hardens rather than softens moral doubts about cities' agglomeration of capital, sewers, and population.Doubts that exist prior to the architecture always surface in the operation of the institution: doubts about the need for a huge museum, doubts about better uses for the public money, doubts about the condition of the arts. And so, mission statements and educational programs notwithstanding, the modern museum anxiously searches for its meaning—but never candidly. Instead, the institutions tend to hide problems behind appearances of certitude and scholarship, behind murky programming, so that anxiety can only be seen indirectly (and even then only briefly and against the [End Page 18] efforts of marketing departments) through the firing of museum directors, the familiarity of curatorial choices, the exhibitionist exhibitions, and the "tough realities" of attendance-based programming.It is possible that the opulent modern museum, rather than embodying the elusive greatness of the city, embodies, more properly, the question: Now what?Programmatic SolutionsThe cruelty and insistence of that question suggest why museums have a tendency to avoid self-conscious explorations of their reason for being, offering instead programmatic distractions. Of these, few are as effective as the crowd-pleasing exhibitions. While the isolation of the museum is fundamentally unaltered by esoteric presentations, which are inescapably unpopular, blockbuster exhibitions or oversimplified or sensational (in the banal meaning of the term) exhibitions are usually well-received by the public. Hence, many museums believe in those types of exhibitions, and their administrators and board members would argue that large audiences and the translation of difficult ideas into familiar representations are central to the mission of the institution. Thus, success is usually measured in numbers... (shrink)

From the perception of the peak of the spiritual quest and the decline of organized religion, I seek to understand the causes of this process, as well as providing keys that allow us to approach it in a lucid manner. What actually is changing radically relates to mode of knowing which affects all areas. We have witnessed, in different fields of knowledge, the passage of mental mode (dual) to the non-dual mode of knowledge. I propose what I consider a decisive (...) factor for this: take the non-dual knowledge model as a means to escape the traps that induces the mental model (dual). Hence, it seems coherent to affirm that we are directing us to a trans-religious and post-theist spirituality, laden with riches. I will offer, from the non-dual perspective, a brief reflection on the relationship between spirituality (non-dual) and commitment. (shrink)

Esta ponencia presenta un avance parcial de la investigación sobre la democracia en los municipios colombianos desde la adopción de la elección popular de los alcaldes. A partir de una conceptualización básica y operacional de la democracia se determinan sus principales dimensiones y se presentan los resultados obtenidos para algunas variables significativas que se han procesado, aplicando técnicas de análisis multivariado. El objetivo final (aún en elaboración) es generar un índice de calidad democrática que permita comparar y explicar los avances (...) y retrocesos de la democracia en los muy diversos municipios colombianos. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reply to My CommentatorsDavid CarrierI am immensely thankful to Rika Burnham and Elliott Kai-Kee, Enrique Martínez Celaya, Klaus Ottmann, and Sean Ulmer for their comments on my book. And to Daniel A. Siedell for organizing this mini-symposium, which really is an author's dream. By gently pressing me to think about important issues, these sympathetic commentators have advanced dialogue.When writing Museum Skepticism I became very aware that (...) there are two kinds of literature that discuss museums. There are memoirs of curators or other museum employees, and there are the commentaries by academics, which usually look at museums from the outside. My ambition was to look at this institution in a way that would both be sympathetic to the practical concerns and embody a theoretical point of view. One otherwise sympathetic reviewer complained that I was only looking at the museum from the outside.1 That certainly is correct, but for obvious reasons people who work in museums are unusually unwilling to describe their inner workings. To have a good theory of the museum, you need to be practical. Often, for example, critics complain about the proliferation of shops and restaurants, urge that admission be free, or say that blockbuster shows are destructive and overcrowded. However one judges such moralizing, the museum director who needs to balance the budget can hardly be guided by such reasoning. One can be critical, as I am, about the power of the super-rich in museum life. But in what other way could funding be found? The history of debates about the National Endowment for the Arts (NEA) points to obvious ways in which, in America at least, reliance on public funding poses problems. My goal, then, was to develop a realistic analysis.Sean Ulmer correctly notes that to understand the art in museums, we must consider its prior history. Chinese paintings, Islamic decorations, Maori sculpture, and premodern European art were not made to be displayed in public galleries. And so there are legitimate questions about how to set it alongside modernist art, whose natural home is the art museum. Allowing this much, I am not sure why he thinks it impossible to describe museums in a single book. We need to understand how artifacts with such varied origins can be coherently displayed in one building. Here, then, we get to Ulmer's second concern—museum displays. Recently museums have experimented with thematic displays. The Museum of Modern Art in New York did that before its recent reconstruction; the Tate Modern has such a system; and during summer 2006 the Whitney tried such a plan. I understand the need of museums to experiment, to find new ways to attract visitors to the permanent collection. Still, a straight chronological display has the obvious advantage of presenting that history of art in which, for example, Impressionism leads to Cubism, and then on to Abstract Expressionism. The obvious danger of thematic displays is that they bewilder the larger public. [End Page 22]When I said that museums are top-down institutions, I was thinking of the grander public museums where the function of the trustees is to raise money, either by giving themselves or by networking. These people who provide funding no doubt have their own agendas, but they, in turn, respond to larger economic and political concerns. I would be astonished if the Metropolitan Museum of Art asked Arthur Danto or Leo Steinberg to be a trustee; or, to look closer at hand, if the Carnegie Museum of Art or the Cleveland Museum of Art asked me to play that role. Since we are mere professors, what practical help could we provide? I expect that at smaller museums the situation is different. But here, again, it is important to be realistic. Cleveland's art historians have not had any influence on the rebuilding plan for the Cleveland Museum of Art. Of course I would be flattered if the new director asked for my opinion, but to be honest, I am not sure that I could tell him anything useful. When Ulmer discusses the comparative role of permanent collections and temporary exhibitions, he touches on a very important point. Like him, I... (shrink)

La investigación propone un diseño metodológico de una escala que permite conocer el grado de satisfacción laboral en Pequeñas y Medianas Empresas (Pymes). Se basa en la teoría de higiene y motivación de Herzberg. Se integra por 15 ítems. La claridad y pertinencia de los ítems se validó con cinco expertos. Para su validez y confiabilidad se obtuvo una adecuación maestral KMO de.863. Se encontró que los resultados son significativos (X2 = 441.790, gl = 105, p =.000). El alfa de (...) Cronbach fue igual a.906. El ejercicio de prueba se realiza en Pymes de Tuxpan Veracruz, México. (shrink)

Cognitive neuroscience is the branch of neuroscience that studies the neural mechanisms underpinning cognition and develops theories explaining them. Within cognitive neuroscience, computational neuroscience focuses on modeling behavior, using theories expressed as computer programs. Up to now, computational theories have been formulated by neuroscientists. In this paper, we present a new approach to theory development in neuroscience: the automatic generation and testing of cognitive theories using genetic programming (GP). Our approach evolves from experimental data cognitive theories that explain “the mental (...) program” that subjects use to solve a specific task. As an example, we have focused on a typical neuroscience experiment, the delayed-match-to-sample (DMTS) task. The main goal of our approach is to develop a tool that neuroscientists can use to develop better cognitive theories. (shrink)

The acoel worm Symsagittifera roscoffensis, an early offshoot of the Bilateria and the only well‐studied marine acoel that lives in a photosymbiotic relationship, exhibits a centralized nervous system, brain regeneration, and a wide repertoire of complex behaviors such as circatidal rhythmicity, photo/geotaxis, and social interactions. While this animal can be collected by the thousands and is studied historically, significant progress is made over the last decade to develop it as an emerging marine model. The authors here present the feasibility of (...) culturing it in the laboratory and describe the progress made on different areas, including genomic and tissue architectures, highlighting the associated challenges. In light of these developments, and on the ability to access abundant synchronized embryos, the authors put forward S. roscoffensis as a marine system to revisit questions in the areas of photosymbiosis, regeneration, chronobiology, and the study of complex behaviors from a molecular and evolutionary perspective. (shrink)

As opposed to the criticism expressed by some personalists regarding the metaphysics of the person of Saint Thomas de Aquinas, this text proposes that the incommunicability of the personal being is not only a thesis against interpersonal communication but also its fundamental basis.

But the modelling of the Confucian gentleman or junzi type of human being under the music simile and the rules of propriety (li) 禮 needs to be brought within the perspective of the Confucian use of language and the ultimately harmonising role of this philosophy. Such considerations lead us back to a concept that Pound was always keen to produce in his expositions, and refers directly to the importance of precise language usage. Pound's first concern for 'le mot juste' and (...) later for zheng ming 正名 is consistent throughout his career. (shrink)

A discussion of the history and worldwide expansion of the Società Internazionale Tommaso d’Aquino.

El conocimiento y la enseñanza de la verdad están profundamente arraigados en la autoconciencia, y así ha sido reconocido en numerosos momentos de la historia de la Filosofía y la Teología desde que fuera grabada en el templo de Apolo, en Delfos, la exhortación Conócete a ti mismo. En este estudio se intenta mostrar la estrecha vinculación entre la autoconciencia y el orden docente en el pensamiento de Santo Tomás de Aquino, quien no sólo destaca por su doctrina acerca del (...) hombre sino también por su profunda pedagogía. (shrink)

El profesor Francisco Canals propuso que la metafísica del conocimiento de Santo Tomás de Aquino, asumida por él en su obra, podía ser expresada sintéticamente con la expresión “realismo pensante”. En esta presentación se explica, por una parte, cómo desde un realismo del acto de ser como perfección se halla el lugar que le corresponde al conocer humano, como manifestativo y locutivo. Por otra parte, se da sentido al diálogo que Canals establece con el criticismo kantiano, al tener en cuenta (...) que un “realismo pensante” que afirme el conocer en su inmaterialidad se enfrenta al peligro del idealismo. (shrink)

Traducción crítica de las dos cuestiones_ quodlibetales_ dedicadas por Enrique de Gante al origen causal de la imposibilidad, precedida de un estudio introductorio que analiza ambas cuestiones en el marco general de su ontología relacional. En la primera (VI.3), Enrique concluye que la imposibilidad de algo proviene _ex parte rei_; mientras que en la segunda (VIII.3), concluye que la imposibilidad de algo proviene _ex parte dei_. El estudio de ambas cuestiones muestra, por una parte, la continuidad y la (...) dependencia de la segunda cuestión respecto de la primera y, por otra, la debilidad de la distinción propuesta por Enrique entre la constitución formal de la _res_ y su posibilidad objetiva, así como la originalidad y el valor de la noción de nada (_purum nihil_) que logra precisar en ellas. (shrink)

Pedro Miralles Martínez, Cosme Jesús Gómez Carrasco (coords.)La educación histórica ante el reto de las competencias. Métodos, recursos y enfoques de enseñanzaEditorial Octaedro, colección UniversidadBarcelona: 2018ISBN: 978-84-17219-85-7.

The following article intends an overview on Enrique Dussel’s early work and the examination of the development process of political and philosophical categories such as the ones of “Latin-American identity / otherness”; “Latin-American thought” and political and historical subjects. The corpus covered in this study includes the author’s anthropological-philosophical research on the origins and fundamentals of the western culture as they appear in the trilogy: El humanismo semita, El humanismo helénico and El dualismo en la antropología de la Cristiandad; (...) the first development of otherness and analectic and the proposition of a new political subject in Método para una filosofía de la liberación and Para una ética de la liberación latinoamericana. A review of the first author’s historiographical experiences is included as well by the study of his book: Hipótesis para una historia de la Iglesia en América Latina. (shrink)

Se trata de una reseña bibliográfica del libro de Luis Enrique Varela, Filosofía Práctica y Prudencia. Lo universal y lo particular en la Ética de Aristóteles.

Cet article aborde le contexte socio-politique et culturel actuel dans lequel se développe la théologie de la libération. Ainsi, en analysant le rapport au marxisme de certains théologiens de la libération (tels que Leonardo Boff, Enrique Dussel et Franz Hinkelammert), il mettra en évidence la place qu’il occupe aujourd’hui dans ce courant de pensée.

La categoría de análisis intratextual, que es desarrollada por José Enrique Martínez Fernández, basada en el hallazgo de elementos afines en la producción artística de un solo autor, suscita percatarse de tópicos consuetudinarios entre La guerra del fin del mundo (1981), La señorita de Tacna (1981), Kathie y el hipopótamo (1983), Historia de Mayta (1984), ¿Quién mató a Palomino Molero? (1986), La Chunga (1986), El hablador (1987), Elogio de la madrastra (1988) y Lituma en los Andes (1993) con (...) la primera novela escrita por Mario Vargas Llosa, La ciudad y los perros (1963), la cual se tomará como referente y objeto principal de estudio. Para que la investigación resulte pertinente, se reconocieron talantes supeditados al desempeño frecuente de la violencia en la trama de esta narración, como las transformaciones de los personajes, intentos fallidos de actuar en la realidad, sus cosmovisiones, los impedimentos por interactuar con eficacia, las jerarquías impuestas o las formas de representación. (shrink)

The article seeks to investigate the role that censorship had in the history of modern Colombian theater during the decades from 1950 to 1980, on the basis of a journey through the trajectory of groups such as Candelaria, TEC and Escuela Municipal de Teatro, as well as its directors Santiago García, Enrique Buenaventura and Gilberto Martínez. The censorship usually came from government institutions, Church ministers, or educational institutions such as universities and colleges. In addition to the analysis of (...) direct censorship phenomena such as the prohibition of performances and the expulsion of members of theater formations, or more indirect ones such as red tape or excessive tax collection, we are interested in highlighting the strategies and practices of resistance and opposition generated by playwrights and theater groups during this time before the censorial actions and speeches. Among these strategies to fight censorship, we highlight the collectivization of structured cultural formations or guilds that brought together various theater groups at the national level, as was the case with the formation of the Colombian Theater Corporation. Collectivization was the strategy against power through which the theater guild fought to resist the repressive effects of censorship. It is necessary to shed light on the role that censorship played in the life of Colombian groups and theater in general. This approach will allow us to see the history of modern theater in Colombia as the history of resistance strategies against censorship and power. (shrink)

This celebratory Festschrift dedicated to Charles Kahn comprises some 23 articles by friends, former students and colleagues, many of whom first presented their papers at the international "Presocratics and Plato" Symposium in his honor. The conference was organized and sponsored by the HYELE Institute for Comparative Studies, Parmenides Publishing, and Starcom AG, with endorsements from the International Plato Society, and the Dean of the School of Arts and Sciences, University of Pennsylvania. While Kahn's work reaches far beyond the Presocratics and (...) Plato, it is in these subject areas that the distinction of his scholarship has come to be regarded as virtually unrivaled. The articles contributed to this volume are by some of the most renowned scholars working on these topics today, their breadth and depth bearing witness to his profound impact and influence on the discipline of Ancient Greek Philosophy._ Charles Kahn taught Classics and Philosophy at Columbia University from 1957 to 1965, and has since been teaching in the Philosophy Department of the University of Pennsylvania. He spent a year as Visiting Professor at the American School of Classical Studies in Athens, and had additional Visiting Fellowships at Balliol College, Oxford and Clare Hall, Cambridge, and a term as Visiting Professor at Harvard. He is the recipient of several prestigious research grants, from the American Council of Learned Societies, the National Endowment for the Humanities, and the Guggenheim Foundation. In 2000 he was elected Fellow of the National Academy of Arts and Sciences. He is the author of _Anaximander and the Origins of Greek Cosmology, The Verb “Be” in Ancient Greek, The Art and Thought of Heraclitus, Plato and the Socratic Dialogue, Pythagoras and the Pythagoreans, and Essays on Being_. His latest book,_Plato and the Post-Socratic Dialogue_, is forthcoming from Cambridge University Press. _ Contributors: Julia Annas Sarah Broadie Lesley Brown Tomás Calvo-Martínez Diskin Clay John M. Dillon Dorothea Frede Arnold Hermann Carl A. Huffman Enrique Hülsz Piccone D. M. Hutchinson Paul Kalligas Vassilis Karasmanis Aryeh Kosman Anthony A. Long Richard McKirahan Susan Sauvé Meyer Alexander P.D.Mourelatos Satoshi Ogihara Richard Patterson Christopher J. Rowe David Sedley Richard Sorabji. (shrink)

This is a collection of papers on metaethics very broadly conceived, to include, for example, moral psychology. Incorporates a broad view of philosophy, utilizing contributions from leading philosophers Provides readers with the latest cutting-edge developments in this extensive subject.

El mapa y por ende la cartografía, en cuanto que sistema mediante el cual el mapa se desarrolla, no es desde nuestro punto de vista un objeto neutro, una herramienta que ayuda a la comprensión del mundo a través de una serie de abstracciones como argumentaría una geografía empirista. Tampoco creemos que se trate exclusivamente de un producto nacido en un espacio y en una época determinada que refleja la ideología del momento y que se constituye en un eje articulador (...) del poder como postula por otro lado la geografía radical. El mapa, desde nuestra línea de investigación, es ante todo un texto que junto a otros se constituyen en herramienta indispensable para modelizar el espacio desde donde es observado, es decir el mundo y por consiguiente lo que entendemos por realidad. (shrink)

This volume is a Festschrift dedicated to Charles Kahn comprised of more than 20 papers presented at the conference "Presocratics and Plato: Festschrift Symposium in Honor of Charles Kahn", 3-7 June 2009. The conference was held at the European Cultural Center of Delphi, Greece, and was organized and sponsored by the HYELE Institute for Comparative Studies and Parmenides Publishing, with endorsement from the International Plato Society, and the Dean of the School of Arts and Sciences, University of Pennsylvania. Contributors: Julia (...) Annas - University of Arizona; Sarah Broadie - University of St. Andrews; Lesley Brown - University of Oxford; Tomás Calvo-Martínez - Universidad Complutense de Madrid; Diskin Clay - Duke University; John M. Dillon - Trinity College, Dublin; Dorothea Frede - Humbolt University, Berlin; Arnold Hermann - HYELE Institute for Comparative Studies; Carl A. Huffman - DePauw University; Enrique Hülsz Piccone - Universidad Nacional Autonoma de Mexico; D.M. Hutchinson - St. Olaf College; Paul Kalligas - National and Kapodistrian University, Athens; Vassilis Karasmanis - National Technical University, Athens; Aryeh Kosman - Haverford College; Anthony A. Long - University of California, Berkeley; Richard McKirahan - Pomona College; Susan Sauvé Meyer - University of Pennsylvania; Alexander P.D. Mourelatos - University of Texas at Austin; Satoshi Ogihara - Tohoku University, Japan; Richard Patterson - Emory University; Christopher J. Rowe - Durham University; David Sedley - University of Cambridge; Richard Sorabji - University of Oxford. (shrink)